Anthology I
Wax Audio's 'greatest hits'
Mashed by Wax Audio
(Tom Compagnoni) 2007-15
Download album from Mediafire: MP3 | Wav
01. The People
(U2 + Freddie Mercury)
02. The Final Teen Spirit
(Europe + Nirvana)
03. Lady Judas
(Lady Gaga + Judas Priest)
04. Sad But Superstitious
(Metallica + Stevie Wonder)
05. Whole Lotta Sabbath
(Led Zeppelin + Black Sabbath)
06. Thunder Busters
(AC/DC + Ray Parker Jr)
07. Enter You
(Metallica + Bryan Adams)
08. Blue Jump
(The 80s mashed)
09. Stayin' Alive In The Wall
(The Bee Gees + Pink Floyd)
10. Master Of Doin' It
(Metallica + Herbie Hancock)
11. The Devils Highway
(Van Halen + AC/DC)
12. A Hard Girls' Night
(The Beatles + Mötley Crüe)
13. Stayin' In Black
(The Bee Gees + AC/DC)
14. Justify A Whole Lotta Love
(Madonna + Led Zeppelin)
15. Careless Rebel
(Billy Idol + George Michael)
16. Metallica Goes To Punjab
(Metallica + Panjabi MC)
17. Maiden Goes To Hollywood
(Iron Maiden + Frankie Goes To Hollywood)
Anthology II
A personal collection of 'deep cuts'.
Mashed by Wax Audio
(Tom Compagnoni) 2007-15
Download album from Mediafire: MP3 | Wav
01. Joggya
(Recordings: Indonesia, India, Burma)
02. I Hear It Now
(Miles Davis, Angus Young , DCD, PE)
03. Voodoo Creeps
(Jimi Hendrix + Massive Attack)
04. Golden Teardrops
(The Beatles + Massive Attack)
05. Born In A Bad Place
(Jimi Hendrix + Björk)
06. Dissolved By The Water All These Year
(Tori Amos, P J Harvey, Björk, Massive Attack)
07. Departures
(Recordings: India, Burma and Thailand)
08. Chemical Diver
(Chemical Brothers + Dio)
09. Mashing Up That Hill
(Kate Bush + Prince)
10. I Want Precious Things
(Queen + Tori Amos)
11. South Of The Grapevine
(Slayer + Marvin Gaye)
12. If Six Was Dub
(Jimi Hendrix + Tosca)
13. The 4th Branch (Kashmiri Mix)
(Immortal Technique, DCD, Zep, Peter Gabriel)
14. Jokhang
(Field Recordings from Tibet, India and Indonesia)
15. A Hotel Full Of Secrets
(Pink Floyd + Eagles)
16. The Seas Have No Name
(U2 + Freddie Mercury)
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All of the mashups on the web site featuring samples of copyrighted material were created as non-substitutable, non-commercial derivatives of recognised recorded works.
They do not compete in the market for the original material, nor do they undermine, defame or otherwise harm the original artists. Contrarily they promote each artist’s commercial work and further validate their iconic status in popular culture.
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